Light Enough to Remember V

The scene unfolds like a memory revisiting itself — flickering, soft-edged, beautifully incomplete. The light outlines what is left of the figure before retreating back into sky. It’s as though the self were sculpted by illumination, only to be reabsorbed into its source. The lake becomes a metaphor for consciousness, mirroring and erasing at once. This is contemplative photography at its most distilled: quiet, slow, precise in its emotional ambiguity. The result is serenity without stillness — light that remembers movement, form, and breath.